- MAP podcast – episode 1 30 November 2023
- Using a Mural and Well-being Thermometer: a creative MEL journey in Hetauda, Nepal 23 November 2023
- Reports: UNESCO – MAP National Dialogue on Culture & Arts Education Report 21 November 2023
- Ideation workshop 19 November 2023
- Dialogue session: approach & exploring existing artworks 19 November 2023
- Photo sequencing & framing workshop 19 November 2023
- Onboarding workshop: getting to know each other 19 November 2023
- Production Day 1 for Film 2: Family Conflict 19 November 2023
- Screening & Feedback Day 3 for Film 1: Mental Health in Schools 19 November 2023
- Production Day 2 for Film 1: Mental Health in Schools 19 November 2023
- Production Day 1 for Film 1: Mental Health in Schools 19 November 2023
- Reflections on the “Revitalising Tradition to Inform Curriculum” Webinar: Exploring Theoretical and Practical Perspectives 16 November 2023
How Does It All End?
5th May 2022
Edition: Camilo Soler Caicedo
Stigma is adding to the pain of victims of sexual violence, particularly adolescent girls in urban poor communities of East Jakarta. The stigma tends to overlook the disabling environment causing the girls to be at risk of sexual violence. MAP young researchers created a short film to address the problem. The film will be a research tool to create dialogue with community members about stigma and the causes of sexual violence.
The young researchers led all the stages of filmmaking together, had their say about different pros and cons in the contents of the script, and debated different technical choices. Before creating the film, they sent out questionnaires to community members and interviewed adolescent survivors of sexual violence in order to create the script. They consulted Kalamtara, MAP partner filmmakers, from writing down a synopsis, to the cast rehearsal, filming and editing. In particular, the technicalities of filming were also assisted by young people of Jakaringan Cinema, a film-based advocacy youth groups based in East Jakarta.
In back-to-back discussions between Kalamtara filmmakers and young researchers, the researchers learned about what films should be and how to plan each production stage. Meanwhile, the filmmakers learned how to guide young people to create films they were passionate about. This process ultimately led to a discussion on how the film should end. In the young researchers’ view, the film should have no ending because they wanted to use the film in dialogues with community members to help find solutions. For the filmmakers, the film should at least show the main character is challenging the status quo or trying to get out of the violent situation.
The ongoing nature of the collaboration between young researchers and filmmakers constitutes a great example of what we consider a participatory arts-based approach.
You can find the final film in Indonesia’s Artistic Outputs page.