Latest posts
- March-April 2024 Newsletter 30 April 2024
- Creating a Mithila art focused Local Curriculum in Nepal: Process Notes 22 April 2024
- MAP Webinar: Visualising Peace 22 April 2024
- Creating a Mithila art focused local curriculum in Nepal: An Introduction 19 April 2024
- The third Ingoma Nshya Festival, Rwanda – December 2023 9 April 2024
- Mithila arts on gender equality 28 March 2024
- MAP podcast – episode 3 28 March 2024
- MAP Webinar: Visualising Peace 28 March 2024
- Imigongo arts – Past, present, and future 21 March 2024
- Journal article: “My Album” 20 March 2024
- The fourth Ingoma Nshya Festival, Rwanda – March 2024 20 March 2024
- Manuals and toolkits: Psychological First Aid (PFA) training manual by MAP Indonesia team 20 March 2024
UNESCO – MAP National Dialogue on Culture & Arts Education
- Advocating for progressive education
UNESCO – MAP National Dialogue on Culture & Arts Education, Kathmandu (Nepal)
21 September 2023 – Exploring inter-generational dialogue through the arts | 9am – 4pm
This National Dialogue (Roundtable) aims to create a platform to further the findings from MAP and the UNESCO Kathmandu office’s ambitions towards generating national evidence and actions in promoting and protecting culture and arts education in Nepal. There will be live tweeting on the day – join in via #EverydayPeacebuilding!
Mobile Arts for Peace (MAP) is a four-year international, multi-disciplinary project which provides a comparative approach on the use of interdisciplinary arts-based practices for peacebuilding in Nepal, Kyrgyzstan, Rwanda, and Indonesia. It is a collaborative project between universities, cultural artists, civil society organisations, and young people across the world. It seeks to address Global Problems through arts-based approaches to create a two-way form of communication between young people and decision-makers. The arts-based approaches have enabled adolescent girls and young women alongside marginalised communities to enhance local knowledge and indigenous practices to serve at the fore of knowledge production. The project is in its final year, and therefore focused on sharing the findings and approaches in relation to Culture & Arts Education. In Nepal, these include: the arts-based outputs during the first year of MAP project (Videos, policy briefs/arts and civic education), and three ongoing MAP projects:
1. Picturing Past Present & Future: Mithila Arts Exhibition; Photo Collages; Cross country experience sharing (Nepal & Rwanda)
2. Inter-generational Dialogue: Image Theatre demo led by youth researchers (YAARs); Community Curriculum Guide; Photos & Videos
3. Deuda Folklore: Exploring ways of seeking inclusion of young people/women in cultural and arts-based interactions via Deuda performance
The UNESCO office in Kathmandu with its new country strategy “Placing Culture at the Heart of Development” is extensively expanding its capacity and outreach towards enhancing the cultural and creative industry (CCI) focusing on youth and gender justice. With this new framework, UNESCO Kathmandu office is working on the Creative Cities Network (UCCN) which is a global network of 300+ cities from all over the world to strengthen the cultural assets of the city and help in promotion of local creative economy as a showcase for the world. Two cities from Nepal – Kathmandu and Lalitpur – have successfully submitted their application, respectively as creative cities for Film and Music.
Together both UNESCO and the MAP project, based at the University of Lincoln, UK bring emerging evidence and promising practices as to how Culture and Arts Education can be conceived of, and integrated into national frameworks. However, this also requires the knowledge, experience, and learnings from other important actors in this field, including [list important stakeholders being invited here]. The aim of this inter-generational dialogue is therefore to bring together many of the key national stakeholders working in the area of Culture and Arts Education to:
1) Acknowledge and celebrate national promising practices (through the exhibition, performance, and reflective dialogue sessions);
2) Generate a road map on how the evidence and promising practices from MAP, UNESCO, and other organisations can inform both formal/informal curriculum development & creative arts pedagogy in the country;
3) Listen to Policymakers’ reflections/commitments on: opportunities for future collaboration; any policy responses; and their personal reflections on arts methods/youth/arts education.
For more information, contact: rajib.timalsina@dcpds.tu.edu.np